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碎纸机刚刚进行了重新设计,很受欢迎

行业资讯
6年前 1932 11

       碎纸机终于发现了自己属于“过度设计”和“不必要复杂”的产品类别,它们往往具有视觉上的复杂美感,与周围环境格格不入,它们的功能在这些不需要的功能之下失去了意义。这正是布隆德设计工作室的团队发现的问题,他们的答案是光圈。光圈是一个有趣的产品,其功能和简单性一直处于设计的最前沿。设备上只有两个按钮,它们是自动和反向的,操作简单,没有麻烦。在这个干净、不间断的表单中没有一个查看窗口,取而代之的是设备顶部的一个查看孔,这意味着用户不必尴尬地弯腰查看纸张内容。在他们的研究过程中,他们注意到大多数碎纸机的顶部都有一根电源电缆,因为这就是部件所在的位置。然而,这种电缆的位置在定位上造成了并发症,更不用说这在审美上是不愉快的。因此,他们在机壳内部创建了一个电缆通道,并将电力电缆重新安置到产品的底部。除了白色的CMF方向,补充颜色托盘的灵感来自用于造纸的木材。

Paper shredders have unfortunately found themselves falling into the category of ‘over-designed’ and ‘unnecessarily complicated’ products, with their often visually-complicated aesthetics jarring with their surroundings and their functionality getting lost beneath the unwanted functions. This is the exact issue that the team at Blond Design Studio identified, and their answer to the problem is Aperture.Aperture is an intriguing product, where functionality and simplicity have been at the forefront of the design. Just two buttons are present on the device, these being auto and reverse, making operation straightforward and hassle-free. A viewing window is absent from the clean, uninterrupted form, as this has instead been replaced with a viewing hole on the top of the device, meaning that the user does not have to awkwardly bend down to check the paper contents.The primary drive behind the fuss-free aesthetic was to create a product which can be integrated into a range of interior styles and sceneries… without standing out like a sore thumb!Designer: Blond Design StudioDuring their research they noticed that most paper shredders had a power cable which exits from the top of the product, as this is where the components are located. However, this cable position causes complications in terms of positioning, not to mention; it is aesthetically unpleasant. Due to this, they created a cable channel on the inside of the casing and relocated the power cable to the bottom of the product.In additional to the white CMF direction, supplementary colour pallets have been inspired by the woods used to make paper.
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