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艺术家在破碎的瓷盘上用墨水描绘广阔的场景

行业资讯
1年前 1296 0

An antique plate that has broken into pieces and been assembled o<em></em>nto a white surface, augmented by an ink-drawn scene that extends from the plate's original design.
      当一块被当做传家宝的盘子掉到地板上时,罗伯特·斯特拉蒂没有试图把这些碎片粘在一起,而是想出了一个更具创造性的主意来保护这个物体的精神。他将碎片排列在二维表面上,模仿盘子掉落时碎片散开的方式,并开始绘制从原始设计延伸而来的复杂墨迹。他说,这一偶然事件引发了一个名为《碎片》的系列节目,该作品探讨了“破碎事物的可能性以及由此演变而来的故事”。
      斯特拉蒂利用与古董盘子的原始单色相匹配的墨水,将线条和图案延续到梦幻般的场景中。充满了人物、船只和动物,田园风光扩展到广阔的远景,超现实的场景从装饰边缘萌芽。 
An antique plate that has broken into pieces and been assembled o<em></em>nto a white surface, augmented by an ink-drawn scene that extends from the plate's original design.An antique plate that has broken into pieces and been assembled o<em></em>nto a white surface, augmented by an ink-drawn scene that extends from the plate's original design.An antique plate that has broken into pieces and been assembled o<em></em>nto a white surface, augmented by an ink-drawn scene that extends from the plate's original design.An antique plate that has broken into pieces and been assembled o<em></em>nto a white surface, augmented by an ink-drawn scene that extends from the plate's original design.An antique plate that has broken into pieces and been assembled o<em></em>nto a white surface, augmented by an ink-drawn scene that extends from the plate's original design.An antique plate that has broken into pieces and been assembled o<em></em>nto a white surface, augmented by an ink-drawn scene that extends from the plate's original design.

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