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张爱静的树脂珠宝品。

行业资讯
4年前 1410 18

      2019年,伦敦设计师Ejing Zhang从纺织品转向珠宝,但她的树脂雕塑珠宝,是用她的过去编织而成。在她布卢姆斯伯里的工作室里,她用各种颜色的蜡笔把马德拉陶瓷线和聚酯线分解成手工雕刻的模具,然后倒在冰冷的树脂上。设置树脂起涟漪的线程,打磨成椭圆箍耳环、片坐上袖口,精致层由追求促使替代材料,而不是一个好的珠宝。做耐磨材料,但发现软布料的限制。珠宝是一个应用问题的答案,我怎样才能把硬塑料应用到身体上;制作过程和材料早在珠宝出现之前就出现了。

 

London-based designer Ejing Zhang turned her hand from textiles to jewellery in 2014, but her sculptural resin jewels are, quite literally, woven with references to her past. At her Bloomsbury studio she unravels spools of Madeira ceramic and polyester thread, across a spectrum of pastel colours, into hand-carved moulds, then pours over a cold resin. once set, the resin, now rippled with threads, is polished into elliptical hoop earrings, slices to sit atop cuffs, or discs to be speared into delicate brooches.Zhang’s decision to transfer métier was prompted by a pursuit of alternative materials, rather than an inclination for fine jewels: ’I wanted to make wearable materials, but found soft fabrics restrictive. Jewellery was the answer to a question of application, of how I could apply hard plastics to the body; the process and the material came long before the jewellery.’

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